Billy also did a terrific version of Get Back in the mostly horrible film Sgt. Liner Notes for this copy: "This new transfer has been made from an original, undamaged, vhs (or videotape) recording of the BBC2 repeat from May 1982. Bye Bye Love/Two Of Us: 25. Preston then allegedly drove to his Malibu home and took the youth to a barn behind his house, Estrada said. It was covered by JP Cooper, Di Scherling, Ron Aprea, The Kavans and other artists. He fell into a coma on 21 November 2005, and died on 6 June 2006 in Scottsdale, Arizona. Singer Billy Preston, who wrote the hit ballad “You Are So Beautiful” and played keyboards with the Beatles, was arrested Sunday on suspicion of sexually assaulting a 16-year-old boy at his home in Malibu, authorities said. . Among the songs featured in the film are "Let It Be," "Get Back," "Don't Let Me Down," "Maxwell's Silver Hammer," "For You Blue," "Octopus' Garden," "I Me Mine," "Across The Universe," and "The Long And Winding Road," and covers of "Besame Mucho," "Shake, Rattle And Roll," and "Kansas City," among many others. It was first released by Aretha Franklin in 1970. “Along with Tony Sheridan, he was one of just two non-members to receive a performance credit on a Beatles record” What about Eric Clapton? He worked with many other musicians including Aretha Franklin, Sammy Davis Jr., Quincy Jones, Eric Clapton, the Jackson 5 and the Rolling Stones.. Author Ritchie Unterberger chronicled the prolonged Get Back/Let It Be sessions in his book, titled The Unreleased Beatles: "They had bitten off more than they could chew. It was 45 years ago today (May 13th, 1970), that the Beatles' final movie, Let It Be, received its U.S. premiere, in New York City theaters. Let It Be: 29. He was arrested in 1991 for assault and cocaine possession, and was sentenced to rehab and three months’ house arrest. A different mix of the song later became the closing track of Let It Be (1970), which was the Beatles' last album released just after the group split. His homosexuality and the sexual abuse he suffered were both causes of his depression as an adult, according to his manager in a recent BBC documentary. Necessary cookies are absolutely essential for the website to function properly. He sits along side the likes of Nicky Hopkins, Jim Keltner and Klaus Voorman,(to name just a few), who made such great contributions to Lennon and Harrison’s solo works. There, the boy told deputies, Preston pushed him to the ground and grabbed him around the chest, Estrada said. Complete your Billy Preston collection. 5. In the case of he and Hopkins, The Stones work as well. Sure, I guess I see that but the thing I take away is that no matter how fractured the band was, no matter how many times they argued about this & that, how much Linda was despised by some band-mates, or how much Yoko was despised by some band-mates, whenever they were playing music together all of that fell away. Much of the session was taken up with work on the song, and by 16 takes of ‘Th… See what's new with book lending at the Internet Archive, Uploaded by These cookies will be stored in your browser only with your consent. of the movie when his role is then taken over by Nat ‘King’ Cole as an adult. Thanks for the interesting stuff on Billy. "He was a good friend of Apple's and will be greatly missed." In 2003 he was heard on Let It Be… Naked, the de-Spectored version of the 1969 Let It Be sessions. A major highlight of the film is the final sequence, when the Beatles play in impromptu set on the Apple headquarters rooftop, featuring "Get Back," "Dig A Pony," "I've Got A Feeling," "Don't Let Me Down," and "One After 909." Reviews for the film, which was released a month after the group's breakup, were mixed, citing the sluggish and depressing nature of the film, as well as director Michael Lindsay-Hogg's sloppy editorial choices. Preston was a top session keyboardist in the 1960s, during which he backed artists such as Little Richard, Sam Cooke, Ray Charles, Everly Brothers, Reverend James Cleveland, and the Beatles. The Beatles Bible is run for the love of anything and everything to do with The Beatles. In 2003 he was heard on Let It Be… Naked, the de-Spectored version of the 1969 Let It Be sessions. Two versions of ‘Let It Be’ were recorded on 23 January 1969, the second day of recording at Apple. Here it is presented unaltered.Â, Although the film was shot at 24 frames per second, BBC2 aired it in PAL format at 25fps. "], Beatlefan magazine's executive editor Al Sussman saw the film within days of its premiere and was left speechless by the group's live swan song: "It was really depressing. His final public appearance was at a 2005 press junket in Los Angeles, for the re-release of the Concert for Bangladesh film. Also, noting almost in passing that Billy “appeared at the Concert for Bangladesh” is a rather extreme understatement. Y'know, even before they assembled in January, the idea was, 'Let's get back to playing as a live band' -- pretty good idea. He was a loose-limbed regular on the mid-'60s ABC TV series Shindig, proving his talent as both a vocalist and pianist, and he built an enviable reputation as a session musician, even backing the Beatles on their Let It Be album. Preston not only played keyboards for The Beatles ’ single “Get Back,” but he was also credited as one of the song co-authors, appearing as “The Beatles with Billy Preston.” Billy Preston joined The Beatles' 'Get Back/Let It Be' sessions on this day in 1969. .  For anyone that saw the film in the theatres in the 70's, it is great now to be able to see the original theatrical release, in stereo AND in much improved quality, including clearer picture and more natural colours, the absolute best version you can find of this release. My personal highlight of his many great contributions would be his wonderful piano work on John Lennon’s brilliant “God” off the “Plastic Ono Band” album.In a DVD I have on the making of this album, Lennon told Preston to play it Gospel-style, the way Billy would have remembered it in the churches he attended in the South when he was growing up.It of course worked brilliantly. On Revolver, the tabla player ( anyone please look up the name) is also credited. At the time, Preston was shopping around for a new record label but he wasn’t getting any bites. Pepper’s Lonely Heart’s Club Band staring Peter Frampton and the Bee Gees. Sorry, but Billy played a Lowrey DSO Heritage, not a Hammond at Twickenham and Apple. The band had been a leaky vessel since at least the time of Brian Epstein’s death, and by then was quite obviously taking on water fast. The demons from childhood abuse never left him, and he suffered nightmares and tears from the memories. He poured goodness & greatness into what we expected to experience. I remember that story from 1991. They spent more time on it on 25 January, recording 18 versions, one of which was included on Anthology 3. Unusually, the Beeb screened the widescreen 35mm theatrical print with black bars at the top and bottom. Just the fact of being gay never made anyone abuse drugs or alcohol or caused depression; the resulting self-hatred or inability to accept it certainly has, as has having to endure rejection and hostility. In 1969, the group was reaching their breaking point, and George Harrison invited Preston to join recording sessions for Let It Be and Abbey Road to ease the tension between the brawling band members. He said he knew he was gay at the age of ten when he was on tour with Mahalia Jackson. He was mixing it at an early age with other cast members, Pearl Bailey, Ertha Kitt, Cab Calloway, Ella Fitzgerald & Mahalia Jackson. I was Billy’s band leader. Believe it: Will Porter is a great American bandleader! The film, which was shot in January 1969, was originally intended to be a TV special called Get Back featuring the group rehearsing for their first live show in over two years. Went along with Tony Sheridan, he worked with the Beatles performing the songs a. 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